Luc’s work has all the qualities of the philosopher, his sculptures dominating a space with the precision of an architect, along with his observations of physics.His influences could be his first career as an engineer combined with his political satire.Although when I ask him why he chose engineering as his first career choice, he tells me about how his grandfather was a researcher who created infernal machines in search of perpetual motion, and his father’s technical abilities in metal work. It appears they additionally influenced and impacted the dormant artist within Luc over the years.The installation artwork ‘Starofvitruvian’ an octagon-shaped sculpture in cor-ten steel, with 10 sides, or the ‘Dandelion’ a sphere shaped artwork, createdwith 150 recycled bicycle wheels, emphasising the fragility of this plant as the seed heads cling in a delicate balance in a precise geometrical circular shape.He created this in order to sensitise the public to respond to the importance of protecting our beautiful planet, he explains.Luc’s series of giant artworks of ‘Vanity’ the child of mother, a mutant half spider, made of cor-ten steel or recovered scaffolding tubes, could almost be a take on Louise Bourgeois’s famous spider Maman.
His recent series of the diptychs,‘TheSquareMeter’ have a Manichaeism view of the art world, as Luc tells me. Manichaeism is an ancient belief going back to Persia, founded by the Iranian prophet Mani, as far back as 216-274 AD.Based on two different concepts that exist between good and evil.This work confronts the art market, ‘Art Market’ painted in black and ‘Art History’ in white. It challenges the ever widening gab between art and the art market.As a fresco it starts with the first painting 1 €/m2, representing that art must be accessible to all, along the economic curve until it reaches 1,000,000,000 €/m2 the final painting representing the Art Market. A subject that Banksy addressed with his shredded artwork during a Sothebys auction.Continue reading “Luc Lapraye”
It’s not often you see a contemporary version of Buddhist art in the style of Corinne, we are all familiar with Buddha crossed legged, the majestic symbolism of reincarnation, nirvana, yoga and liberating insight.Corinne’s work is reminiscent of that spiritual quality, in as such that most of her art is of Buddhist monks, combined with an observation of the human face.There is something droll about her artwork, they convey interaction, the variety of expression, different happy faces, along with the enjoyment we seek as humans in being together.Sometimes it’s just the faces and then the whole person and the overall effect is this contemporary rugged refinement. The theme of concentrating on these monks began with her choice to go travelling, focusing on Asian countries like Myanmar, formerly known as Burma, the Southeast Asian nation of more than 100 ethnic groups, and this is where she discovered the face, she tells me.Describing how she became attracted to the Asian face, she explains that she couldn’t read anything when she arrived. Purely for the reason that the language and written word in this part of the world was so alien to her.That the way you see the world is like a child, she emphasises.This observation is very prevalent in her work.
What Corinne observed, is how these Monks in Myanmar who have taken a vow of poverty by choosing this lifestyle and when they weren’t meditating, they were happy and smiling, this made her think of her own country France. The French have everything a social security system, free healthcare and they are always complaining and unhappy, she tells me, this trip gave her a new insight and she fell in love with the Monks faces. These sculptures one could say represent the best of ourselves, they have wisdom and an innocence running through them. Then Corinne discusses her earlier sculptures; they were straight, simple and really long elongated figures, she saw herself as shy but really strong, and this body of work represented this, she titled it ‘La Femme Fille’ (The woman Child). She believes this is when her real life began.Corinne was born near Poitiers in the centre of France, her father an engineer and mother a teacher. They moved to the South of France, when she was very young, her father had decided to become a goat farmer and produce Capri cheese.Corinne grew up in the countryside, and spent plenty of time moulding the white clay from the lake, observing how her mother took the same clay from the lake and started to make things during the summer months.Our mother opened my brothers and my mind, she explains, educating us in music, dance, theatre and art, she wanted us to be artists and now her brother is a photographer and graphic designer. At the age of 12 her parents divorced and they moved to the city where Corinne attended the high school near Toulouse.
Corinne studied Fine Art and History of Art, for five years, three in Montpellier, followed by one year in Bordeaux, she was primarily a painter, but didn’t really enjoy it, her final year she spent in Leicester, in the United Kingdom.She recalls visiting Chatsworth House where she encountered the sculptor Elizabeth Frink’s work, she was so impressed by her work, her bronze sculptures of figures appearing to be running through the woods, this inspired Corinne, and she decided this is what she wanted to do, be a sculptor.Today Corinne spends half her time in Paris with her husband and the other half in her larger studio, in the town of Albi.Continue reading “Corinne Chauvet”
When I first laid eyes on Onyx’s work I would describe it as experiencing the Gothic Notre Dame Cathedral with its abundance of Gargoyles and decorations, combined with Toy-story’s animation and the mind of Alice in Wonderland. His large sculptures, that take months to complete, are a journey of storytelling. Onyx’s artwork, not his real name by the way, is about Onyx, who became what he is today after being in a coma for a month. The sculptures are something so surreal, that you feel as if you have woken up in the middle of Pan’s Labyrinth. A film about the unconscious and the surreal and the dream like state that we humans all experience to protect us from trauma.
Onyx, or Jim, a nickname he is known as, is an artist you don’t come across often. His works are creations of the fantasy and reality of heaven and hell, universe and aliens, women, birth and love. A story telling in sculptures made of artefacts collected at early dawn raids from all sorts of quaint places, antique fairs, toy shops, car boot sales, charity shops, weekend ventures scavenging through worn and broken toys, lost artefacts rejected and unloved and Onyx recreates each little piece however small and fragile, to tell a whole new narrative.
The account of how a builder, who stabbed his leg accidentally with a very sharp Stanley knife, whilst finishing off a refurbishment job, fell into a coma and woke up to create these phenomenal artworks, is for enquiring minds! I am one of them. He explains whilst unconscious, hallucinations of being in hell, seeing the future and how like in the Matrix he traveled through a maze of nightmares with apparitions tormenting him and preventing him to find his way out. How every level of truth, bad and good brought him closer to home and consciousness. However, after every fail he would return to the start of hell and repeat the experience, until the final journey, where he was able to confront his demons and came back to life in the conscious world.
Onyx is married to Michelle who he has been with for 22 years, they have three sons, Sonny and Mason; Michelle gave birth to Lucas two weeks ago, and I am able to cradle this beautiful infant in my arms as he sleeps and I listen to Onyx explain his journey as an artist.
His first artworks, his paintings, stencilling and airbrush techniques, started in recovery,inspired by Star Wars, with the dry arid humour of a Londoner, The Start Wars and The Empire Strikes back about the Cold War hang in his gallery with his sculptures encased in glass. Onyx, currently has five main pieces, Beethoven’s Destructive Symphony, The Birth of Destructions, You’re Wasting my Time, The Dream Catcher and The Falsed Resurrection. Each peace has a central figure, then two lives moving from darkness to light, all telling their own anecdote. Some about the centre of great minds, alien life, the universe and the humility to be human. Some about who is wasting who’s time, with time cogs on cherubs. All Sculptures start with one core character and build up layer, road, journey and weave bending and evolving to become one giant piece of three dimensional story telling. It’s magical, frightening, curious, very beautiful and bewitching.
His inspirations came whilst researching designs for a tattoo that he was designing after surviving a major skin graft, it was discovered that his injury that was undetectable, because the cut was so sharp, the poison had entered the system and he ended up having Necrotizing fasciitis NF, and Onyx warned me to not look at the images on google as I check the spelling. I didn’t look at the photos!As a victory to his recovery the tattoo was a symbol of his survival and this is when he came across the artist Kris Kuksi. Onyx subsequently decided he would make his own sculptures. Spending months on each artwork, he made them for himself primarily, as part of his recovery.When someone first encountered the artworks, Onyx was advised to show the works, and he decided to have Lenticular’s made of each piece so he would have something to keep when his sculptures were sold. Now however the Lenticular are popular themselves; each artwork is photographed 30 times on a track and the images interlaced to create a 3D image, all done on computer. The results are just out of this world.
Onyx is a Hackney boy, who grew up with humble hardworking parents, and he had his share of troubles during his childhood. His father devoted his time to his son’s recovery which healed old wounds of anger, his family surrounding him with love, as well as support with his recent venture as an artist. May I point out that Onyx’s early career started out as a photographer in still life, working his way up in a studio until he himself was taking the photos of High end contracts, Tiffany jewellery, Wimbledon trophies and older Crown Jewels, here he learnt about lighting and composition.The year was 1990, when he explains the pay was terrible, money dragged him away and he went into the building industry which paid well. There has always been the artist at the core and as with a diamond it starts out rough, it’s chipped, shaped and moulded until it shines bright.