Corinne Chauvet

Corinne Chauvet featured in CAKE
Photo: Didier Beguin-Chauvet

It’s not often you see a contemporary version of Buddhist art in the style of Corinne, we are all familiar with Buddha crossed legged, the majestic symbolism of reincarnation, nirvana, yoga and liberating insight.  Corinne’s work is reminiscent of that spiritual quality, in as such that most of her art is of Buddhist monks, combined with an observation of the human face.  There is something droll about her artwork, they convey interaction, the variety of expression, different happy faces, along with the enjoyment we seek as humans in being together.  Sometimes it’s just the faces and then the whole person and the overall effect is this contemporary rugged refinement.  The theme of concentrating on these monks began with her choice to go travelling, focusing on Asian countries like Myanmar, formerly known as Burma, the Southeast Asian nation of more than 100 ethnic groups, and this is where she discovered the face, she tells me.  Describing how she became attracted to the Asian face, she explains that she couldn’t read anything when she arrived.  Purely for the reason that the language and written word in this part of the world was so alien to her.  That the way you see the world is like a child, she emphasises.  This observation is very prevalent in her work.

sculpture by Corinne Chauvet
Conversation by Corinne Chauvet
Sculpture of Buddhist Monk by Corinne Chauvet
Hitsuko Shima -3-8 Bronze by Corinne Chauvet
Sculpture by Corinne Chauvet
Ajima by Corinne Chauvet

What Corinne observed, is how these Monks in Myanmar who have taken a vow of poverty by choosing this lifestyle and when they weren’t meditating, they were happy and smiling, this made her think of her own country France. The French have everything a social security system, free healthcare and they are always complaining and unhappy, she tells me, this trip gave her a new insight and she fell in love with the Monks faces.  These sculptures one could say represent the best of ourselves, they have wisdom and an innocence running through them.  Then Corinne discusses her earlier sculptures; they were straight, simple and really long elongated figures, she saw herself as shy but really strong, and this body of work represented this, she titled it ‘La Femme Fille’ (The woman Child).  She believes this is when her real life began.  Corinne was born near Poitiers in the centre of France, her father an engineer and mother a teacher.  They moved to the South of France, when she was very young, her father had decided to become a goat farmer and produce Capri cheese.  Corinne grew up in the countryside, and spent plenty of time moulding the white clay from the lake, observing how her mother took the same clay from the lake and started to make things during the summer months.  Our mother opened my brothers and my mind, she explains, educating us in music, dance, theatre and art, she wanted us to be artists and now her brother is a photographer and graphic designer.  At the age of 12 her parents divorced and they moved to the city where Corinne attended the high school near Toulouse.

Buddhist Monk bronze sculpture by Corinne Chauvet
SOHIRE Bronze by Corinne Chauvet
Sculpture by Corinne Chauvet
Migration by Corinne Chauvet
Sculpture by Corinne Chauvet in CAKE
Classroom by Corinne Chauvet

Corinne studied Fine Art and History of Art, for five years, three in Montpellier, followed by one year in Bordeaux, she was primarily a painter, but didn’t really enjoy it,  her final year she spent in Leicester, in the United Kingdom.  She recalls visiting Chatsworth House where she encountered the sculptor Elizabeth Frink’s work, she was so impressed by her work, her bronze sculptures of figures appearing to be running through the woods,  this inspired Corinne, and she decided this is what she wanted to do, be a sculptor.  Today Corinne spends half her time in Paris with her husband and the other half in her larger studio, in the town of Albi. Continue reading “Corinne Chauvet”

Simon McCheung

portrait of artist Simon McCheung featured in CAKE
Photo: Antoinette Haselhorst

Simon’s fine art photographs are defiantly contemporary, surreal, extensively complex, yet with this etherial simplicity.  The elegance of his compositions highlight a drama in the cleanest of formats, using himself as the subject matter.  Some people may refer to his artworks as self portraits and in a way they are, however he manages to convey the political and personal message with his intelligent art direction using himself as a model rather than a portrait of himself.  This is what makes his work so interesting.  This self awareness that Simon has, in that he recognises the advantage of his photogenic and adaptable persona, his face is able to characterise the narrative so well, with a subtle ingenuity that anyone who gazes at his work can slip into the identity of the spirit he projects.  His artworks are both courageous and unique with an affable flair that makes them completely different.  In some cases the photographs are taken in separate settings, he uses his animation and photoshop skills to combine the images to create a separate piece of art, the result; an award winning image, ‘Underwater Spell’ of the man in his pyjamas sleeping as he floats under water.  Then there is, his Cat as a Hat, the forest of broccoli as lungs, or man on top of the Chinese house.

artwork by Simon McCheung featured in CAKE
An Underwater Spell by Simon McCheung
artwork by Simon McCheung featured in CAKE
The Grand Hotel by Simon McCheung
artwork by Simon McCheung featured in CAKE
Lulu & I by Simon McCheung

The communication of Simon’s work addresses topics with relevance and political savvy.  His most recent works represent the inner antagonism of his sisters struggle with autism and how he projects the conflict that she encounters in her daily life.  Simon explains the spectrums of Aspergers, and that communication is hard for his sister.  She can write to express herself however signals to her vocal cords is limited.  He explains to me the emotional traumas she endures in public, when people stare at her when she makes a sudden noise when she vocally expresses herself with excitement at something she may have observed.  Or her sensitivity to sound and how excruciating certain sounds can be.  This series of works covers all areas of her life, as he tries to engage with the frustrations she feels, using his body to express this empathy in these photographs.  What he cares about is making his sister integrate into society and empower the public with knowledge what an autistic person feels. Continue reading “Simon McCheung”

Paul Robinson (LUAP)

Portrait of artist Paul Robinson in CAKE
Photo: Antoinette Haselhorst

There is something wonderful about children playing, from the sound of their laughter and squeals and interactions, to the inventiveness they display, striking a relationship with imagination and reality in a world of pretend. Climbing trees exploring abandoned places.  We all are familiar with being children, from our own experiences to being a parent.  This imaginary world is encapsulated by Paul’s most recent works of The Pink Bear in a realistic and fictional environment lost or wondering, sometimes taking us into a more political storyline of the world as it is today.  His compositions of the bear in various situations, from sitting in a tree like a boy is both beautiful and curious, it illustrates the alter ego of the artist or even our own.  Painted from his meticulously orchestrated photographs.  The Pink Bear, appearing in different situations or events.  Isolated amongst melted ice caps, or on a beach eyeing a woman, or appearing lost in a forest at dawn as the sun’s shafts of light gleam like razors through the trees.

Artwork by Paul robinson
I ♥ Day Dreaming by Paul Robinson
Artwork by Paul Robinson
Tempest by Paul Robinson

Paul narrates the adult topics of climate change, the exploitation of our environment as well as our current affairs, through the eyes of innocence. These artworks come in themes, I used to be a Polar Bear, representing the idea that the Polar Bear may become a mythical creature in our future, where nobody will know whether he existed or not, as well as Pink Bear, Bed Time Stories and Pink Bear Is Coming To TownIt is renascence of childhood, loss of innocence and those lost moments of happiness that we all encounter within the realms of family.  His bear inspired by an old photograph, of just that, family life with his mother, father and brother, as they meet a Care Bear in the 1980’s. The patterns that Paul uses in his paintings, is the metaphysical layering of wallpaper that his mother painted over many times in the home where he grew up.  His love of trees; as his father chopped down the apple tree to make room for a swing, when he preferred the real tree.  The good intentions of parenting and the true effect it has on our innocence. Continue reading “Paul Robinson (LUAP)”